Valencia College: HUM2250

HUM2250: Syllabus & Course Calendar: Introduction to Humanities: 

Spring 2025 (in-person)

Spring 2025 (online) Coming Soon

Spring 2025 Courses

In-person 20th Century Humanities Courses (Twice-Weekly)

Online 20th Century Humanities Courses (Online)

*Reserve classes do not launch until all other HUM1020 across Valencia College are full. Please check back at a later date.

Fall 2025 Courses

None at this time

Why bother with the 20th Century Humanities Course?? 

Because great great grandma was not telling us the whole story!!


The 20th Century was a period of immense transformation and upheaval in various aspects of human life, making it a particularly fascinating and dynamic era for studying the humanities. It experienced cultural and artistic revolutions, World Wars and political upheavals, and Scientific and technological advancements!
Who can forget significant cultural clashes and the rise of identity politics?! Issues surrounding race, gender, sexuality,
and class became prominent topics of discussion and activism.

If this doesn't create an existential and philosophical crisis when looking at Abuela's photo album, maybe instead, the Renaissance class is for you!

COURSE SUBJECT MATTER: 

(but not limited to)


Valencia College students must demonstrate college-level writing skills in this Gordon Rule course through multiple writing assignments. To satisfy the Gordon Rule, a minimum grade of C is required.

Sample Lesson Plan and Assignment

Sample Lesson Plan


2.1 Assignment: The Modern Self Profile

ETC: (1) one solid day of researching, reading, and writing

Bottom Line: 

Students will read about a person's struggle to find their identity.
Then, in 2 - 3 paragraphs, discuss their struggles compared to Modernity. 

Objective:


Why it Matters:

This lesson explores the social, political, and economic changes as they moved away from the traditional ethical and political systems of the 1800s. Additionally, students will be asked to think about their experiences of exponential movements and answer how we behave when thrust into an unfamiliar world that they may not perceive as safe as our home or community. One of the things you need to do as a student in a 1900s Humanities class is articulate the characteristics of Modernism and how they relate to forms of expression. This assignment will dive into many different aspects of communication, namely the novel Invisible Man by Ralph Ellison. You will discuss this aspect of Modernity on the quiz.
Key Concepts: The New Woman, The New Negro, Emancipation of the races, sexes and individuals from national identities, The Global Community, Identity and Gender Norms, Existential Angst


Materials

This is a suggested list of materials to assist with completing the assignment. Students are free to use module slides, lectures, or any other source of information. 


Lecture:

Video

Text / Websites


Instructions:

Pick a person from the list (or if you have an idea for someone else, message me)

Then, in 2 - 3 paragraphs, describe their upbringing and lives, and conclude with the main features of their life that involve suppression, i.e., how they felt trapped in the traditional views of the past. Then, describe the aspects of their lives that align with ideas of Modernity, i.e., their struggle to live their lives as they push forward as authentic selves despite the norm rejecting them.  Finally, your comments on the situation as it connects to our present environment. 

People of interest:

Kate Chopin (American)

Olive Schreiner (Euro-South American)

Mary Church Terrell (African American)

Zora Neale Hurston (African American)

Audre Lorde (A self-described black lesbian mother)

Dr. Carole Boyce Davies (Caribbean-American)

Bell Hooks (African American)

Mary Shelley (English)

Grace Kyungwon Hong (Asian American)

Alice Walker (African American)

Sui Sin Far (Chinese American)

Gabriela Mistral (Chilean)

Ryka Aoki (transwoman, Hawaiian- American)

Rafaela Chacón Nardi (Cuban)

Jhumpa Lahiri (American Indian-British)

Maxine Hong Kingston (Chinese American) 

Porochista Khakpour (Iranian American)

Celeste Ng (Hongkongese American)

Esmé Weijun Wang (Taiwanese-American)

Nazanine Hozar (Iranian Canadian)

Anita Desai (Indian)

Shokoofeh Azar (Iranian-Australian)

Arundhati Roy (Indian)

Hieu Minh Nguyen (Vietnamese-American)

Alain Locke (African American)

Countee Cullen (African American)

Alexander Chee (South Korean)

Justin Chin (Malaysian-American)

Langston Hughes (African American)

Claude McKay (African American)

Jean Toomer (African American)

Eric Walrond (Afro-Caribbean)

Yanyi (Asian American)

Eduardo Porter (Latino American)

Marcelo Hernandez Castillo (Mexican American)

Roberto Lovato (Latino American)

Aravind Adiga (Indian)

Vikram Seth (Indian)

Required elements to include in your summary: (Please retain the heading structure, removing the italicized explanation. Aim for a minimum of two sentences per sub-bullet required because this will help you talk it out. Then, the last section is yours to express yourself.)

Explaining the Rubrics:

By thoroughly analyzing bullets 1 - 5, we will hit the GenEd-HUM1020-CH-V1 requirement. ‘Thoroughly’ means that after reading your statement, it was clear that the dialectical method discussed in the Analyzing Primary Sources lecture was used. We made sure to accurately reiterate the content, ensure our sentences were well-rounded, and not leave anything up for questioning. (You could get up and teach it to the class now.)


By inserting the Personal Commentary portion, you will fulfill the “connect personal perspectives to the broader themes of the course’ of the rubrics. This is your chance to offer your slow-down thoughts on paper. Remember you are not in a conversion; you need to express yourself in a way I would not question you later. Read it to a friend and see if they come at you for any reason.